Post by sikobabel on Aug 2, 2006 18:12:36 GMT -5
Wow, it's quiet around here. Are you all reading or something? Let's talk about issue 6 already! It took me awhile but I've finished all the fiction in issue 6. I'll mark spoilers as needed.
Overall, this is my favorite IR yet. As I'd mentioned in another thread, there's a shift in tone here, and I like it. A lot. The stories in this issue are a lot less bloody and gorey than in the past, but share common trait in spades: a solid sense of atmosphere.
Don't look for zombies in this issue. You won't find them. The horror here comes in more plausible forms. Stories like Sensation don't occur in some other dimension, they're happening here and now. Some stories step outside of this and spin into oddities, but do so in the same manner as the best episodes of the Twilight Zone, building tension with a slow burn.
This isn't to say that you won't find traditional horror here. In fact, one of my favorites in this issue is The Church Grim, a very traditional style story, but - to steal a term explained to great effect in the story - it's loaded with mojo. Again, it's the atmosphere that stands out, where the things you can't see, and the things you're not even sure are there, that get your hairs standing up.
I saved the first story for last, The Last Great Love of Cary Grant, and I was glad I did. It represents the issue well. Moody and psychological with a dash of mysticism that serves the story without superceding it. Well balanced and a great read.
I'm no art critic, but I liked what I saw. I liked how the images fit the story without giving anything away as to what would be happening. As for the rest, I'm not about to try critiquing interviews or reviews, and I haven't gotten to read them yet anyway. I'll read these while waiting for the next issue.
Great work from everyone involved. You guys should be proud.
Overall, this is my favorite IR yet. As I'd mentioned in another thread, there's a shift in tone here, and I like it. A lot. The stories in this issue are a lot less bloody and gorey than in the past, but share common trait in spades: a solid sense of atmosphere.
Don't look for zombies in this issue. You won't find them. The horror here comes in more plausible forms. Stories like Sensation don't occur in some other dimension, they're happening here and now. Some stories step outside of this and spin into oddities, but do so in the same manner as the best episodes of the Twilight Zone, building tension with a slow burn.
This isn't to say that you won't find traditional horror here. In fact, one of my favorites in this issue is The Church Grim, a very traditional style story, but - to steal a term explained to great effect in the story - it's loaded with mojo. Again, it's the atmosphere that stands out, where the things you can't see, and the things you're not even sure are there, that get your hairs standing up.
I saved the first story for last, The Last Great Love of Cary Grant, and I was glad I did. It represents the issue well. Moody and psychological with a dash of mysticism that serves the story without superceding it. Well balanced and a great read.
I'm no art critic, but I liked what I saw. I liked how the images fit the story without giving anything away as to what would be happening. As for the rest, I'm not about to try critiquing interviews or reviews, and I haven't gotten to read them yet anyway. I'll read these while waiting for the next issue.
Great work from everyone involved. You guys should be proud.